Live Nation - CTS-Eventim-Wettbewerber - Die letzten 30 Beiträge

[Malecon]

Charttechnische Auffangzone rückt näher

Denn im Tageschart deutet sich eine Keilformation an





Quelle: https://www.godmode-trader.de/analyse/schafft-dieser-us-tite…

[Bergfreund]

Antwort auf Beitrag Nr.: 63.537.962 von MrLookman am 02.05.20 13:40:35

Habe mir mal Deag versus CTS angeschaut.

Klaro für Deag entschieden--machten auf 9 Monate noch Ebita von 0,6 Millionen,hohe Versicherungsleistungen erhalten,25 Mill. KFW-Kreditangebot für 2 %Zinsen und Expansion
nach Irland.Alle Bilanzdaten versus xtremer Aktienkurs von CTS sprechen für DEAG!!

[MrLookman]

Antwort auf Beitrag Nr.: 63.537.734 von dschigiwagi am 02.05.20 13:13:32

Die Frage stelle ich mich selbst auch. Ich tendiere insgesamt zu beiden parallel , Eventim erscheint mir in Europa mehr und mehr als Monopol, gerade auch im Ticketing unfassbar stark.
Live Nation in USA und co.
Ich denke auch die DEAG kann man im Auge behalten wenn es wieder losgeht. Die sind im großen Stil versichert und sobald die Bahn frei ist für Events & Konzerte steigen die mit Sicherheit asap wieder in alte Bahnen. Es gibt ja viel nachzuholen ..
Aber das ist meine reine subjektive Empfindung alles was eben Trend der Branche angeht, ohne mich groß belesen zu haben in Firmenzahlen.

[dschigiwagi]

Danke für die Antwort. Mir ist schon auch klar, dass Konzerte, Sportveranstaltungen und alles womit Live Nation oder auch CTS Eventim Geld verdienen, wahrscheinlich erst nächstes Jahr wieder starten. Und da die Börsen ja eh wieder zeigen, dass es auch mal wieder runter gehen kann, werde ich hier nichts überstürzen. Im Laufe des Jahre will ich aber einen der beiden Werte kaufen. Bin mir nur nicht sicher welchen davon. Eventim scheint besser da zu stehen - Live Nation wäre internationaler was bei meiner Depotstruktur vieleicht Sinn macht. Haltedauer soll langfristig sein. Bei Live Nation würde ich erst unter 30 Euro (besser um 27/26), bei Eventim ebenfalls um diese Marke rum kaufen wollen. Eure Einschätzungen würden mich stark interessieren.

[MrLookman]

Antwort auf Beitrag Nr.: 63.325.945 von dschigiwagi am 14.04.20 18:20:20

Nein, aber Erfahrung aus der Eventbranche habe ich.
Unabhängig davon sind die Saudis ja wohl eingestiegen was der Firma wohl ganz gut tut um die Krise zu überstehen.
Ich denke es ist klar das Konzerte & Festivals ganz zum Schluss kommen in der Nahrungskette in Sachen Lockdown. Es wird noch lange dauern bis es hier grünes Licht gibt. ich würde fast drauf wetten dass wir hier noch einen größeren Fall erleben und es vermutlich noch mindestens 3-4 Monate dauert bis überhaupt mal ein (ansatzweise positives) Anzeichen der Politik kommt wie es in der Branche weitergeht. Sehe überhaupt keinen Sinn darin hier jetzt (überstürzt) zu kaufen.

[dschigiwagi]

Hat jemand eine Einschätzung zu diesem Wert? Bin sehr stark interessiert, warte aber noch auf eine zweite Verkaufswelle, um dann günstiger dran zu kommen.

[R-BgO]

Antwort auf Beitrag Nr.: 57.840.743 von R-BgO am 27.05.18 09:50:48

Wenn ich es mal wie eine SaaS-Bude betrachte,

dann mit 1,1x sales "billig"

[R-BgO]

Antwort auf Beitrag Nr.: 55.027.725 von R-BgO am 27.05.17 12:44:07

7,5 Mrd. USD marketcap

für eine rote Null in der GuV

[R-BgO]

Antwort auf Beitrag Nr.: 52.315.312 von R-BgO am 30.04.16 10:45:10

krass:

30,31

[R-BgO]

Antwort auf Beitrag Nr.: 44.863.983 von R-BgO am 17.06.13 17:07:30

inzwischen 18,66...

never bet against John Malone

[R-BgO]

Antwort auf Beitrag Nr.: 44.863.983 von R-BgO am 17.06.13 17:07:30

das war ein Fehler...

[R-BgO]

verkauft für 11,66

[R-BgO]

Fürs Gesamtjahr 2011 gab es wieder einen Verlust; der e-commerce Anteil ist noch minimal (2%)

[R-BgO]

aus der ftd von heute:

E-Commerce

In den USA formiert sich ein neuer Wettbewerber für den Online-Verkauf von Konzerttickets: Das US-Schnäppchenportal Groupon und der Konzertveranstalter Live Nation bündeln ihre Kräfte und richten einen neuen Anbieter ein, wie beide Firmen mitteilten. Das neue Portal soll Grou- ponLive heißen und zum Beginn der Saison für Sommerkonzerte an den Start gehen. Wie bei Groupon sollen die Kunden bei GrouponLive auch Tickets für Konzerte, Theater oder andere Events mit erheblichen Preisra- batten ergattern können. Finanzielle Details wurden nicht genannt. Reuters

[R-BgO]

Live Nation to Offer Flexible Ticket Pricing Based on Demand
By Andy Fixmer - Apr 18, 2011 10:39 PM GMT+0200


Live Nation Entertainment Inc. (LYV)’s Ticketmaster division said it will begin pricing events based on consumer demand in a drive to take revenue from resellers and boost overall sales.

Clients including sports teams, music acts and promoters will be able to adjust ticket prices based on how well the event is selling, according to a statement today from Beverly Hills, California-based Live Nation. The world’s biggest concert- promoter and ticketing company is partnering with Los Angeles- based MarketShare to provide the so-called dynamic pricing.

The system lets venue owners target the markups that brokers charge for top events and sell more tickets for less- popular acts. Dynamic pricing will reduce scalping, freeing-up more tickets for consumers, the company said.

“The ultimate goal is to have the right ticket at the right price for the fan,” Nathan Hubbard, chief executive officer of Ticketmaster, said in an interview. “We want to open up new more affordable options to get people out to the show.”

Hubbard said 40 percent of Ticketmaster’s inventory goes unsold. The pricing system is being tested with some sports teams, and should become more widely applied in the next several months, Hubbard said.

Live Nation fell 14 cents, or 1.4 percent, to $9.73 at 4 p.m. in New York Stock Exchange composite trading. The shares have declined 15 percent this year.

Lady Gaga, Giants

The price and quantity of tickets to sports teams including the San Francisco Giants at online reseller Stubhub.com hasn’t changed since those clubs began using dynamic pricing, Glenn Lehrman, a spokesman for the EBay Inc.-owned website, said in an interview. So far teams have been unwilling to lower prices below what season-ticket holders pay, he said.

“It’s more like variable pricing,” Lehrman said. “They keep moving the price up but they never drop it. If they still have tickets right before the show, I doubt we’ll see those suddenly drop to $1 or $2.”

High profile events such as Lady Gaga concerts still garner premiums, Lehrman said. For prices to drop, promoters must hold fewer tickets for special customers, he said.

“It’s more a supply issue than a price issue,” Lehrman said. “With all the holdbacks on tickets, it’s impossible to know how many are being made available. That is what drives ticket prices up.”

Elevation Investment

Live Nation said the new pricing system will be part of Ticketmaster’s LiveAnalytics division, which uses the parent company’s consumer data to help clients including venue owners boost ticket sales.

“It will lower arbitrage opportunity and make it less likely tickets get snapped up because they’re being sold below their market value,” Hubbard said. “Most scalpers buy those tickets and make huge spreads and a big business out of that.”

MarketShare’s forecasting models are used by Hollywood studios and video-game companies, Live Nation said. Elevation Partners, a Menlo Park, California-based private equity firm co- founded by U2 lead singer Bono, invested $32 million in the closely held company, according to an April 14 MarketShare statement. Elevation took a minority position in February 2009.

[R-BgO]

Apr 1, 2011
Live Nation bidding for Warner Music
NEW YORK - CONCERT promoter and ticketing company Live Nation Entertainment Inc is in the running to buy the recorded music assets of Warner Music Group Corp, the world's third largest music company, according to a person familiar with the talks.

Warner Music effectively put itself up for sale in January when it hired Goldman Sachs Group Inc and AGM Partners to explore strategic options after it was approached about selling its assets.

Bids have come in valuing the whole company around US$3 billion (S$3.7 billion) on an enterprise value basis, which includes both debt and equity. Bids for its Warner/Chappell song publishing unit have come in at around US$1.5 billion to US$2 billion.

Other bidders so far include Platinum Equity, billionaire Mr Ron Burkle's Yucaipa Co, billionaire Mr Len Blavatnik and Sony Corp, which is specifically interested in the song publishing unit, sources familiar with the process have said.

Warner Music is home to acts including Red Hot Chili Peppers, Bruno Mars and Green Day.

Live Nation said in 2007 that it would reinvent the music business by doing away with the need to follow the traditional recorded music label model. Through 2007 to 2008 it signed major music stars such as Madonna and rapper Jay-Z to multi-million dollar, multi-year deals that included touring, merchandise and recorded music rights. But to execute that strategy it still needed to partner with major music labels to distribute the music. Jay-Z's last album, released through Live Nation, ended up being marketed and distributed through a partnership with Warner Music. -- REUTERS

[R-BgO]

Antwort auf Beitrag Nr.: 40.056.592 von Hiberna am 27.08.10 14:52:38

noch zu früh für mich, keine Meimnung

Habe eine Posi CTS Eventim, deswegen behalte ich LN auf jeden Fall im Auge; an dem Zeitversatz siehst Du aber, wie intensiv...




LOS ANGELES, Feb. 4, 2011 /PRNewswire/ -- Live Nation Entertainment, Inc. today announced that Ticketmaster, the Company's ticketing division, has entered into an agreement to acquire ServiCaixa, the largest ticket retailer in Spain from "la Caixa", the leading Spanish savings bank and financial services group. The transaction, which is subject to Spanish antitrust approval, will create the leading ticketing company in Spain through the combination of Ticketmaster Spain, formerly known as TickTackTicket, and ServiCaixa, legally named Serviticket SA.

By joining these two complementary ticketing companies, Ticketmaster will provide the foremost ticketing services across Spain and the wider Iberian peninsula for all genres, including cinema, music, sports, performing arts, museums and attractions.

As part of the transaction, Ticketmaster will enter into a multi-year marketing and ticket distribution partnership with "la Caixa", which will allow Ticketmaster to offer tickets through the bank's 8,100 ATM's located across Spain. The new Ticketmaster Spain will provide expanded service to existing "la Caixa" customers by offering a greater diversity of ticket inventory through multiple distribution channels, including online, shopping outlet and "la Caixa" ATM's.

"Expanding internationally in attractive markets where we can replicate our integrated model and grow profitably represents one of our key growth initiatives," said Michael Rapino, President and CEO of Live Nation. "This acquisition and our recent expansion in France put us on track in executing our plan and further strengthen Ticketmaster as the world's leading ticketing company."

"Through this transaction, we will significantly enhance our distribution footprint and growth potential in Spain," said Alan Ridgeway, CEO of Live Nation International. "In particular, this combined range of assets will now enable us to grow our presence in the online advertising and sponsorship markets."

"We are very pleased to have a multi-year agreement with the world's leading ticketing company," said Benjami Puigdevall Esteve, Managing Director of e-la Caixa. "We believe that the new Ticketmaster Spain will provide la Caixa with continued access to a broad range of ticketing services and cross-promotion opportunities for the benefit of la Caixa and its customers."

About Live Nation Entertainment:

Live Nation Entertainment (NYSE-LYV) is the largest live entertainment company in the world: connecting 200 million fans to 100,000 events in over 40 countries which has made Ticketmaster.com the #3 eCommerce website in the world. For additional information, visit http://www.livenation.com/investors.

About la Caixa:

"la Caixa" is Spain's third largest financial institution, with a network of over 5,400 branches, more than 8,100 ATM's, a workforce in excess of 28,000 and more than 10.5 million customers. "la Caixa" Group has assets worth 285,724 million euros and recorded a net profit of 1,307 million euros at 2010. e-la Caixa is responsible for carrying out the multi-channel management strategy developed by "la Caixa". For further information, visit http://www.lacaixa.com/.

About ServiCaixa:

ServiCaixa leads the Spanish ticketing market, both in terms of volume and the range of tickets available. In 2010 ServiCaixa processed over 43 million tickets, sold 9.7 million advance ticket sales, and had 1.8 million Club ServiCaixa members, thereby consolidating its position as one of Spain's leading cultural clubs.

[Hiberna]

@R-BgO,

betrachtest Du denn Live Nation als eine attraktive Aktie, in welche man investieren sollte?

[R-BgO]

By Kit R. Roane, contributorAugust 27, 2010: 5:52 AM ET


FORTUNE -- For a promotion and entertainment company, Live Nation has had a tough time doing either with much success. Instead, over the last year, it's been battered by regulators, goaded by class action lawyers, sued by rock stars, virtually ignored by analysts, and despised by fans fed up with paying for hidden fees in tickets, only to fork over even more for overpriced T-shirts and beer. Worse still, Live Nation (LYV, Fortune 500) still can't seem to make any money, reporting both unexpectedly large losses and revenue declines earlier this month.

Its stock continues to drown in the shallowest pool. And its management acknowledges plenty more challenges ahead, noting that the second half of the year could bring another 15% swoon in concert attendance on top of the 12% decline the industry has already had. So it is somewhat startling that a few well-heeled investors and hedge funds have kept to their bets on a turnaround.

Although Greenlight Capital's David Einhorn threw in the towel on Live Nation in April, John Malone's Liberty Media is sticking with it. Others have joined in as well. This August, Farallon Capital Management disclosed it had picked up 900,100 shares of the company, and small-cap value investors at Shapiro Capital, while no fan of Live Nation's successful merger with Ticketmaster earlier this year, continue to hold nearly 8 million shares. Tiger Global Management controls 11.2 million shares, and Stephen Mandel's Lone Pine Capital has bought about 9.6 million shares.

It's unclear what these investors see that others don't, although perhaps Live Nation's stock -- which trades at less than a quarter of the price of an average Live Nation concert ticket -- might seem just too cheap to pass up. Corsair Capital Management, another fund that has raised its stake in the ticketing and promotion behemoth, recently opined in an investment letter that Live Nation might finally have its "secular tailwinds at its back," and that it was now trading at an "attractive price for an oligopolistic business with modest capital requirements."

However, a bet on Live Nation is in many ways a bet on its ability to execute on a planned expansion overseas. As Live Nation has noted, the North American market is generally unappealing these days. American fans aren't willing to pay what they once did to see many of their favorite acts, there are not a lot of great new venues to tap, and the talent demands an ever-larger cut of the concert pie. "Jay Z doesn't care if he plays in Paris or Denver, but we do," explained Live Nation CEO Michael Rapino during the company's uneven investor day pitch last month. "We make more money in Paris."
0:00 /3:59MTV founder: Music videos survive

That is why Live Nation plans to shift its focus to what Rapino describes as "less sophisticated" markets, with the idea of expanding into around 75 live-performance markets overseas. The concert market there is certainly in better shape than the one here at home. Pollstar, which tracks the concert industry, recently reported that top concerts in South America, Australia and Europe continued to gross about what they did last year, about 15% more than they did in the U.S.

Cheaper artists + expensive tickets = international success?

According to Live Nation's own data, there is easy money to be made overseas. Fans there are willing to pay about $4 more on average for a ticket than fans in the United States and the artists toiling on stage, on average, are willing to work for at least 19% less of the take.

"It is an open world now. This market is on fire on a global basis," said Rapino, adding that Latin America was also hot and that Live Nation was in Dubai "every day of the week...talking to somebody about a deal."

But, in his excitement, Live Nation's CEO may not be taking into account that the markets targeted are already being serviced by other large and successful concert promoters and ticket sellers. And those competitors have largely avoided the public relations baggage that has hit Live Nation from a myriad of issues, including cancelled concerts, angry fans, investigations of anti-competitive maneuvers and allegations of unlawful profits.

There may be, as Rapino believes, more than 124 million tickets to be sold in places like France, Australia, Belgium, Switzerland, Germany and Spain. But even in countries where Live Nation had years of experience, inroads have been difficult, with Live Nation data showing only about 3% penetration in Spain after a good four years of trying. And so far this year, it's performed worse in overseas markets than it has in the U.S. by some measures. While Live Nation ticket revenue was almost flat in the U.S., it was down about 12% overseas.

That's not all. Live Nation has sold fewer tickets internationally so far this year (9.7 million compared with 12.9 million in 2009) even as competitors such as US-based AEG-Live, Germany's Marek Lieberberg, South Africa's T4F, and the UK-s 3A all reported strong gains, according to Pollstar. The concert industry publication's data also showed AEG Live-affiliated companies produced 46 of the top 100 grossing concerts, compared to Live Nation's mere 27.

If Live Nation can't make inroads overseas, it will have to play especially nice with fans back at home to rebuild its tarnished image. Already, in an attempt to fill empty arenas, Live Nation has begun to discount more tickets and pitch others as 'free of service fees.' It has also moved to reduce or do away with some fees (such as the absurd payment for printing a ticket at home), tried to make it easier for customers to get the seats they want, and worked to fortify its customer "bill of rights."

Rapino says that Live Nation needs to begin treating consumers with the respect they are due. But the sense one gets from hearing Live Nation's management talk during its investors conference is that they still often see their customers as little more than stacks of money ready to slice and dice.

Live Nation doesn't believe it should have to reduce what it takes in at a concert to appease fans and fill arenas. Instead, it can force the artist to take the hit, and then dynamically price the tickets so that the front rows pay even more, helping to offset any loss inflicted by the cheapskates that wait around for $10 seats at the rear. The artist's share might suffer, but Live Nation, it seems, can never lose.

Like the egotistical, often childish and un-repentant Rock & Roll artists its management arm sometimes represents, Live Nation doesn't take full ownership of its problem, one highlighted by Pollstar editor Gary Bongiovanni when he wrote that the concert industry was, in a sense, killing itself. Fans still want to see live music, he said, despite "piggish, top-tier prices," "add-on fees," the availability of "discounted tickets after they have paid full price" and other "misguided efforts to squeeze the fun out of the experience."

Live Nation sees such maneuvers as part of its salvation, while blaming a moribund economy, a yellow press, greedy touring artists and half-witted investors for much of the company's malaise.

"From the tone of the questions, I don't think you guys out there really get the message that we are trying to do today," snapped Live Nation Chairman Irving Azoff at one point during the company's investor conference, adding that a few pointed questions about the company's financial difficulties, litigation risk and international rollout made him think that "maybe we've got a bunch of short term investors that need to think longer term."

Given Live Nation's recent history and performance, and its difficulty in articulating how it will reach its goals for the future, some investors and fans might think Live Nation should do the same. To top of page

[R-BgO]

Tuesday, June 1, 2010, 12:03pm EDT
Live Nation drops service fees for June
Triangle Business Journal - by Chris Baysden


Los Angeles-based Live Nation Entertainment, which operates a couple of entertainment venues in the Triangle, said Monday that it was eliminating service fees during the month of June.

The company’s “No Service Fee June” promotion will cut out service fees on nearly 8 million tickets for more than 700 shows at all of the amphitheaters that Live Nation operates. That includes the ones that Live Nation operates in Raleigh: the Raleigh Amphitheatre and the Time Warner Cable Pavilion at Walnut Creek.

Artists scheduled to perform in Raleigh during June include Brooks & Dunn, Lynyrd Skynyrd and Rascall Flatts.

Live Nation has a variety of business interests in live entertainment, including concert promotion, venue operation and artist management.

Read more: Live Nation drops service fees for June - Triangle Business Journal

[R-BgO]

http://www.nytimes.com/2010/04/25/business/25ticket.html

[R-BgO]

20.04.2010 01:51
Live Nation Announces Launch of $250 Million Private Notes Offering
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LOS ANGELES, April 19 /PRNewswire-FirstCall/ -- Live Nation Entertainment, Inc. ("Live Nation") today announced that it intends to offer, subject to market and other conditions, $250 million aggregate principal amount of senior notes ("Notes"). The Notes will be offered in a private placement in the United States to qualified institutional buyers pursuant to Rule 144A under the Securities Act of 1933 and to non-U.S. persons outside the United States pursuant to Regulation S under the Securities Act.

(Logo: http://www.newscom.com/cgi-bin/prnh/20081203/LAW048LOGO-b)

The offering price, interest rate and other terms will be determined by negotiations between Live Nation and the initial purchasers. The Notes will be unsecured.

Live Nation intends to use the net proceeds from the offering along with borrowings under a new senior secured credit facility to repay in full the borrowings under its existing credit facility and the credit facilities of its wholly-owned subsidiary, Ticketmaster Entertainment LLC, convert existing preferred stock of one of its subsidiaries into the right to receive a cash payment and pay related fees and expenses. The completion of the offering of the Notes is conditioned upon our entering into the new credit facility.

[R-BgO]

19.04.2010 13:33
Live Nation Launches Concert Business In Australia / WORLD'S 7TH LARGEST MUSIC MARKET


LONDON and LOS ANGELES, April 19 /PRNewswire-FirstCall/ -- Live Nation, the world's premiere live entertainment company, today announced the launch of its concert promotion business in Australia, the 7th largest music market.

Luke Hede, currently the Vice President of International Booking for Live Nation Asia, based in Hong Kong, has been named Vice President of Promotions - Pacific Rim.

In addition, Live Nation has appointed Roger Field, formerly of Michael Coppel Presents, as Vice President of Promotions - Australia and New Zealand. Roger and Luke will work with Live Nation's Global and International Touring teams to bring Live Nation tours to Australia, New Zealand and the rest of the Pacific Rim, as well as booking local dates across the region.

Alan Ridgeway, CEO of Live Nation International, commented, "Over the last decade, Live Nation has been involved with some of the most successful tours throughout Australia and New Zealand, including: U2, The Rolling Stones, David Bowie, Prince, Nickelback, The Police, and many others. We now feel that the time is right to establish our own presence and further monetize our global tours in this particularly strong and growing live music market. After working closely with two of Australia's most highly regarded promoters in Paul Dainty and Michael Coppel respectively, both Luke and Roger have vast experience and knowledge in the local market and we are thrilled to have them leading our Australian launch."

Live Nation's presence in the Pacific Rim already includes offices in Hong Kong, Singapore and Shanghai. Luke Hede will continue to book international concerts for these offices with Mr. Hung Tik, based in Hong Kong, remaining Senior Vice President responsible for booking local artists. Live Nation also has a joint venture in Beijing with Gehua Group, which is run by Mr. Wei Ming, who has recently been appointed General Manager of the joint venture which promotes international and local artist shows booked by Luke, Hung Tik and Wei Ming.

Live Nation Australia will be based in Melbourne and it is expected that further staffing announcements will follow shortly. Live Nation already has an existing presence in Australia and New Zealand through Ticketmaster, which has been operating successfully in these markets for more than 20 years.

[R-BgO]

LIVE NATION AND TICKETMASTER ENTERTAINMENT COMPLETE MERGER
LOS ANGELES and WEST HOLLYWOOD, January 25, 2010 – Live Nation, Inc. (NYSE: LYV)
and Ticketmaster Entertainment, Inc. (“Ticketmaster”) (NASDAQ: TKTM) today announced they
have completed their merger following the receipt of regulatory clearances and approvals from
all government authorities required by the merger agreement and the approval of Live Nation
and Ticketmaster stockholders. Subject to final confirmation, under the terms of the transaction
Ticketmaster stockholders will receive approximately 1.474 shares of Live Nation common stock
for each share of Ticketmaster common stock they own. As of today, the merged entity will
bear the name Live Nation Entertainment, Inc. (NYSE: LYV).
Effective as of the close of trading today, January 25, 2010, Ticketmaster common stock
(NASDAQ: TKTM) will cease trading.
About Live Nation
Live Nation’s mission is to maximize the live concert experience. Our core business is producing,
marketing and selling live concerts for artists via our global concert pipe. Live Nation is the largest
producer of live concerts in the world, annually producing over 22,000 concerts for 1,500 artists in 57
countries. During 2008, the company sold over 50 million concert tickets and drove over 70 million unique
visitors to LiveNation.com. Live Nation is transforming the concert business by expanding its concert
platform into ticketing and building the industry’s first artist -to-fan vertically integrated concert platform.
Headquartered in Los Angeles, California, Live Nation is listed on the New York Stock Exchange, trading
under the symbol LYV. Additional information about the company can be found at:
www.livenation.com/investors.

[R-BgO]

frisch fusioniert mit Ticketmaster Thread: Ticketmaster - CTS Eventim-Wettbewerber