Cineplex Reports Highest May Box Office since 2019

Monthly CPP Reaches Record Level

TORONTO, June 09, 2026 (GLOBE NEWSWIRE) -- (TSX: CGX) – Cineplex, Canada’s leading entertainment and media company, reported box office revenues of $60.5 million for May 2026, delivering its highest May box office since 2019.

Period	2025 Box Office (i)		2026 Box Office (i)		2026 as a Percentage of 2025
April	$51,375		$60,012		117%
May	$55,331		$60,450		109%
Q2 to date	$106,706		$120,462		113%
(i) Amounts are in thousands of dollars.

Cineplex’s May performance was driven by a compelling and diverse film slate, resulting in strong audience engagement, with notable strength among younger moviegoers. Top performing films reflected a balance of franchise and original content, and included The Devil Wears Prada 2, Michael (continuing from April), Obsession, Star Wars: The Mandalorian and Grogu, and Backrooms.

The Devil Wears Prada 2 opened the month of May in style, surpassing the original film’s total domestic box office within its first ten days and driving premium engagement, particularly in VIP Cinemas. Michael, distributed by Cineplex Pictures, continues to perform exceptionally well and has become the highest grossing music biopic of all time, surpassing $300 million at the domestic box office. Star Wars: The Mandalorian and Grogu demonstrates the successful evolution of a streaming-based franchise into a major theatrical event. The film opened strongly and has generated approximately 66% of its box office from premium formats to date.

Horror films Obsession and Backrooms significantly exceeded expectations, demonstrating that audiences are responding to compelling content beyond traditional tentpole releases. Both films drew a significant portion of their audiences from the key under-25 demographic. Obsession has continued to build week after week, an uncommon achievement for wide releases, reinforcing the role the theatrical window plays in building audience demand. Popularized on YouTube, Backrooms, reflects the evolving pathways to theatrical distribution and the reciprocal relationship between digital platforms and the big screen.

Schreibe Deinen Kommentar